Glencar � To the waters and the wild

Share with your friends

Default Options:


This panorama photograph was taken in between showers on the shores of Glencar Lake late on a May evening looking west back towards Sligo town.  The strong but low lighting has created a powerful effect as it beams out from behind the clouds to light up the waters of the lake below. 

 

Glencar Lake (and the accompanying Glencar Waterfall) straddle the Sligo/Leitrim border. The lake is approx. 2.5 kilometres long and is nestled into the glacial Glencar valley which was formed during the last ice age.

To the right of the image you can see the Kings Mountain which along with Benbulben make up the Dartry mountain range. To the left lie the Crockaun & Cope Mountains and what some locals refer to as the ‘The Protestants Leap’.

Legend has it that during the rebellion of 1641, a battalion of troops under the control of Colonel Hamiltion were on route back to their garrison at Manorhamilton Castle after making a raid on Sligo town where they burned Sligo Abbey.  Disorientated in heavy fog on the slopes of Cope Mountain, the troops were approached by a man on horseback who offered to guide them to safety. However rather than escorting them out of harms way, their would-be savior ushered them at great haste over the edge of a cliff in to their deaths in the valley below. 

The saga is retold in a short story by W.B. Yeats called ‘The Curse of the Fires and of the Shadows’.

Glencar valley also features prominently in Yeat’s poetry; in the poem ‘The Mountain Tomb’ he draws inspiration from a magical characteristic of the valley whereby in stormy weather strong winds will often blow cascading waterfalls back up over the ridges of the mountain, the resulting spray seems to dance in the wind: ‘The cataract smokes up the mountainside’.

The Glencar valley is also evoked in Yeat’s mythical poem The Stolen Child:

Where the wandering water gushes 

From the hills above Glen-Car, 

In pools among the rushes 

That scarce could bathe a star, 

We seek for slumbering trout 

And whispering in their ears 

Give them unquiet dreams; 

Leaning softly out 

From ferns that drop their tears 

Over the young streams. 

Come away, O human child! 

To the waters and the wild 

With a faery, hand in hand, 

For the world's more full of weeping than you can understand

This panorama photograph was taken in between showers on the shores of Glencar Lake late on a May evening looking west back towards Sligo town.  The strong but low lighting has created a powerful effect as it beams out from behind the clouds to light up the waters of the lake below.  

 
Glencar Lake (and the accompanying Glencar Waterfall) straddle the Sligo/Leitrim border. The lake is approx. 2.5 kilometres long and is nestled into the glacial Glencar valley which was formed during the last ice age.

To the right of the image you can see the Kings Mountain which along with Benbulben make up the Dartry mountain range. To the left lie the Crockaun & Cope Mountains and what some locals refer to as the ‘The Protestants Leap’.


Legend has it that during the rebellion of 1641, a battalion of troops under the control of Colonel Hamiltion were on route back to their garrison at Manorhamilton Castle after making a raid on Sligo town where they burned Sligo Abbey.  Disorientated in heavy fog on the slopes of Cope Mountain, the troops were approached by a man on horseback who offered to guide them to safety. However rather than escorting them out of harms way, their would-be savior ushered them at great haste over the edge of a cliff in to their deaths in the valley below. 


The saga is retold in a short story by W.B. Yeats called ‘The Curse of the Fires and of the Shadows’.


Glencar valley also features prominently in Yeat’s poetry; in the poem ‘The Mountain Tomb’ he draws inspiration from a magical characteristic of the valley whereby in stormy weather strong winds will often blow cascading waterfalls back up over the ridges of the mountain, the resulting spray seems to dance in the wind: ‘The cataract smokes up the mountainside’.


The Glencar valley is also evoked in Yeat’s mythical poem The Stolen Child:



Where the wandering water gushes


From the hills above Glen-Car,


In pools among the rushes


That scarce could bathe a star,


We seek for slumbering trout


And whispering in their ears


Give them unquiet dreams;


Leaning softly out


From ferns that drop their tears


Over the young streams.


Come away, O human child! 


To the waters and the wild 


With a faery, hand in hand, 


For the world's more full of weeping than you can understand



No, you don't need to have a PayPal account to make online payments with the PayPal Payment system. Customers who don't have a PayPal account can check out as normal with a credit card.

Towards the bottom right of the PayPal log-on window there will be a link for customers who don't have a PayPal account. By clicking "Don't have a PayPal Account" at this point, you can complete your purchase with your credit card in the normal fashion
Image Framers (Adelaide St Sligo) look after all of my framing needs.

My photographs are first hot press dry-mounted and then remounted on Arqadia acid free conservation mount board before being placed behind 2mm float glass. The backing board used has a built in acid free liner and moisture barrier to offer the highest protection for your photograph.

The frame and mount have been selected to best suit each individual photograph and image size.
My photographs and canvas prints are produced by DigiCreatiV as Giclée prints on 290gsm Fujifilm Pearl photo paper using 10 colour UltraChrome series inks. The end result are beautiful, fully archival prints with incredibly fine detail.

DigiCreatiV use fade resistant Epson inks which are UV stable ensuring your prints lasts for 60+ years. The images are printed on an Epson Stylus Pro 9900 printer using a colour calibration processes incorporating a spectroproofer and specialist software.

DigiCreatiV also produce my canvas prints.
All of the photographs displayed in the Gallery pages can be bought directly though this website.

To purchase a photograph, simply select the quantity and size of photograph you want to buy and then click the 'Add to Cart' button.  When you are finished shopping you can then click the ‘Proceed to Checkout’ button
Photographs can be purchased from this site using the PayPal Payment system. 

Note – you don’t need to have a PayPal account to make online payments with the PayPal Payment system.  Customers who don’t have a PayPal account can check out as normal with a credit card. 

Towards the bottom right of the PayPal log-on window there will be a link for customers who don't have a PayPal account. By clicking "Don’t have a PayPal Account" at this point, you can complete your purchase with your credit card in the normal fashion
Photos in a tube are delivered through the standard postal system.  Framed photographs and canvas prints will be delivered by courier.

Orders will be dispatched within 10 working days (they will usually be dispatched quicker than this but may take longer if the prints aren’t in stock or have to be framed). If your order is urgent please contact me directly to get a better estimate of delivery times.

Canvas prints will take 10 -15 working days for delivery.  Canvas prints are also available in sizes other than the default ones offered on this website (up to 3 meters wide for Panorama photographs). Please contact me directly for quotes.
If you are making a purchase using a promotional code you just need to enter the code at the checkout.

Only one code can be used per promotion per customer
If you have any query that hasn’t been answered on this page then contact me directly.